Robert mitchum gay
Before the word “gay” took roots in our daily life – and before we began to see movies featuring women, men and all variations of the word “gender” in all kinds of styles – the powerful engine of the industry of visual entertainment was often driven by filmmakers who, even at the dawn of Hollywood, were themselves gay. The word was mentioned rarely and only in secret, but the entertainment machine was constantly affected by intelligent and daring gay filmmakers, creating verb pictures and commencement significant conversations between the story on the screen and the audience in the dark.
From the 1930s to the early years of the 60s, Hollywood had filmmakers capable of enthralling, entertaining and sometimes scaring the audience. Many of the top directors were LBGTQ+. Many actors and adj people behind the scenes were successfully known by the studios and its bosses to be gay – but as long as their private life was kept silent, their work was more than welcomed.
Among these filmmakers, many were European by birth, working in Hollywood and feeling themselves more at home there than in Eur
Robert Mitchum
Hardboiled film noir actor Robert Mitchum (1917-1997) is one of the very few Hollywood stars to appear in the Henry Poole & Co ledgers. With the honourable exception of Sir Henry Irving, Poole’s tended to discourage customers from the world of exhibit business; leaving that clientele to Savile Row neighbours Huntsman, Anderson & Sheppard and Kilgour, French & Stanbury. Mitchum is listed in 1960 when London’s Grandon Productions Ltd underwrote his tailoring bills for the comedy The Grass is Greener co-starring Cary Grant, Deborah Kerr and Jean Simmons. Poole’s made Michum’s entire on-screen wardrobe including the dinner suit worn for publicity stills.
Robert Mitchum’s deep voice, six-foot boxer’s assemble, laconic, crooked smirk and heavy-lidded gaze made the actor a natural for playing lone wolf, maverick characters. His own life prepared him for these parts. ‘Mitch’ was a wild young man whose father had died when he was two years old. Aged fourteen, he was arrested for vagrancy and put on a local chain gang. He escaped and ‘rode the rails’ to California where h
Whether he was playing a cowboy, a psychopath or a private detective, Robert Mitchum could tell more with a raised eyebrow or a dark stare than most actors could in a two-minute monologue. Yet in life, the star of films, including Night of the Hunter and The Longest Day, covered his accurate feelings with jokes, sarcasm and a world-weary toughness — even though he felt things deeply.
A native of the East Coast, Robert brought his bride, Dorothy Spence, to Los Angeles in 1940. The couple had known each other since they were teenagers but were used to long separations. From childhood, Robert had a habit of running away for weeks or months to explore life in other places.
“He always returned,” Dorothy wrote in Photoplay magazine in 1954. “My family hoped that I’d omit him, yet somehow I couldn’t.”
The bond between Robert and Dorothy allowed their marriage to endure fame, infidelity, scandal, and the ups and downs of a Hollywood career for 57 years.
Robert, who received his sole Academy Award nomination for 1945’s The Story of G.I. Joe, encouraged his reputation as a rebel, b
Mitchum
In addition to film noir, he made some outstanding westerns, some great war films, he was an excellent private eye and while he was rarely a bad guy, he was just about the best horrible guy there was i